Writing Tip: Names versus Pronouns

My guess is I don’t need to tell you what doesn’t work about this passage:

Mary rifled through the suitcase that John dropped on the bed. “John, have you seen my camera?” Mary’s hands flew to her hips and she scowled.

“I’m certain you packed it, Mary.” John scratched his head. It wouldn’t be the first time Mary had forgotten to pack something important. “I’ll check our carry-on. Mary, where did you leave it?”

“Other room, on the table, John.” Mary huffed and began stuffing shirts back into the bag.

John retreated to the sitting area of the luxury suite. The place had cost John a fortune, but Mary had insisted on a room with a sunset view, specifically for taking photos. John emptied the carry-on and sighed, certain Mary would have a fit and accuse the airline of stealing. “I checked and it’s not here, Mary.”

“Oh, crap, John!” Mary stomped into the room. “The airline must have stolen it.”

Did you notice all the Mary’s and John’s?

If you didn’t, trust me that after a few pages you’d be pretty tired of Mary and John. When I’d started writing, my publisher made me go through my manuscript and edit out first names whenever they weren’t needed. Here’s why…

1. Pronouns create a tighter POV.

Generally, we want a tight POV because it draws the reader deeper into a character’s experience.

Whether we’re writing in 1st or 3rd person (except omniscient), we’re sitting inside the POV character’s head, looking through her eyes, hearing what she hears, feeling her emotions, living out a scene from his/her perspective. Authors work hard to achieve the immediacy of a tight POV.  When clarity isn’t at stake, POV character’s will always refer to themselves with pronouns.

This is easiest to see in 1st person books where the POV character always refers to him/herself as “I.” Another way to think of this is in your daily life. When you’re hanging around the house you don’t refer to yourself by your name. I don’t say to my husband, “Diana’s going to make tea; do you want some?” That would be weird. I use a pronoun. “I’m going to make tea…”

3rd Person is subtler, but the same reasoning applies. We’re still sitting inside a character’s head, viewing the world through their perspective. Though the pronoun in this convention is a “he” or “she,” it’s still a pronoun. POV characters wouldn’t naturally refer to themselves by their names.

2. We don’t talk that way.

Next time you’re in for the evening with one other person, pay attention to the conversation or record yourselves for a short time. If names are used at all, it’s with purpose – primarily to get someone’s attention (“Hey, Randy, have you seen my keys?”) or for emphasis (“Listen, Randy. You lost them, you better find them!”). Do the same with a group of people and you’ll notice more first names, but still surprisingly few.

When are names necessary?

The answer is pretty obvious – to avoid confusion. And it’s easy to identify those situations:

  • When starting a new scene
  • When there are more than two characters in a scene and the dialog and action is jumping around
  • When two characters are talking about another character(s).
  • When two characters are the same gender.

Now, like anything in writing, this “rule” is meant to be broken, and broken for all kinds of reasons: reminders to the reader, to get a break from all those pronouns, sentence pacing, etc. This is simply something to be aware of when crafting your prose.

Here’s that paragraph all cleaned up.

Mary rifled through the suitcase that John dropped on the bed. “Have you seen my camera?” Her hands flew to her hips and she scowled.

“I’m certain you packed it.” He scratched his head. It wouldn’t be the first time she’d forgotten to pack something important. “I’ll check our carry-on. Where did you leave it?”

“Other room, on the table.” She huffed and began stuffing shirts back into the bag.

He retreated to the sitting area of the luxury suite. The place had cost him a fortune, but she’d insisted on a room with a sunset view, specifically for taking photos. He emptied the carry-on and sighed, certain she would have a fit and accuse the airline of stealing. “I checked and it’s not here.”

“Oh, crap!” She stomped into the room. “The airline must have stolen it.”

Why writing a book is like planning a dinner party

I’m hanging out with Esme at The Recipe Hunter today. Stop by for a little excursion into the joys of “research.”

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It’s a delight to be over here on Esme’s blog, and I’m going with the cooking theme. But since I can’t cook, this will be a half-baked analogy.

If you’re having a group of important people (like potential readers) over for dinner, it’s a good idea to have a handle on what you’re cooking up. Reading recipes and browsing images on the internet is a great first step, but it probably makes sense to check out the recipe yourself before you serve it to others.

Well, writing is the same way. Authors can collect amazing information online, and to be honest, there’s often no way around it, but trying things out ourselves provides invaluable inside knowledge that we can’t always get in other ways. I’d argue that the dish of details from first-hand experience is what deepens and enlivens our writing, and it’s the tasty meal that we want to serve up to our readers.

Julia Cameron, in her book The Artist’s Way, calls these experience-collecting excursions “Artist’s Dates.” Basically, you make a weekly date with yourself to expand your horizons, culinary or otherwise. I’ve taken the advice to heart on several occasions:

Three books of the Dragon Soul Saga take place on old sailing ships, and sailing around the lake on a sunfish as a kid didn’t cut it. So, I packed up my husband and dragged him off for a tall ship sailing adventure. While the rest of the passengers were drinking rum and listening to pirate stories,…

(Continue Reading… The Recipe Hunter)