Allies and Spies Released

Allies and Spies, Book 2 of the Unraveling the Veil Trilogy is now available on Kindle.

No major fanfare, no 30-day tour. Phew!

Oh, all right… a little celebration.

Some autumn dahlias…

Tasty cocktails…

And low-cal dessert!

(How I wish we could celebrate in person.)

If you missed Book 1, Liars and Thieves, it’s available here.

Allies and Spies

Trust is as thin as a blade’s edge. Secrets abound. And no one is who they seem. Kalann il Drakk, the First of Chaos, makes a bargain with his brethren, in which the future of civilization hangs in the balance.

Thrust together by a sacred oath, a halfbreed goblin, a misfit elf, and a changeling spy unite in an uneasy alliance. But their mission to learn the truth of the strange disappearances must wait—for they owe a blood debt to the changeling queen.

In the Raveen Mountains, the cornerstones of Naj’s life crumble. Goblins assemble a massive shipment of crystals for the Borderland—enough to power Ka Radiff for a decade or, with a single spark, blow it apart.

In the elfin Riverlands, Alue learns of the clandestine Coalition. Rumors whisper of a vast conspiracy. But that knowledge pales in comparison to a startling revelation that shatters the foundations of her life.

When a dead goblin turns up on the slopes beneath the Veil, Talin has no choice but to admit to changeling crimes. The tenuous alliance falters. Treachery runs deep and wide. And in the changelings’ jungle, the queen releases her venom. The ground fractures. And only the truth about il Drakk’s cruel designs has the power to spare their lives.

Thanks for stopping by.

Have a wonderful weekend!

Happy Reading!

Filling Magical Plotholes

Elanalue Windthorn (Alue). An elf and one of the three protagonists.

I’m about 40 pages from completing my 2nd draft of a new trilogy… Unraveling the Veil. It’s been a bumpier ride than usual, my laptop jouncing on my knees as the story’s wheels plunge into plotholes on the long and winding road to publishing.

A few of them required me to rock the old tale back and forth while gunning the engine. A couple of times, I had to back up and try again, turning in a slightly different direction to get around a sinkhole. I’ve been known to add an extra gallon of coffee to the tank in order to jack up the imagination and fill in a whopping crater.

Magic is a big part of the problem.

Fantasy authors can easily find themselves mired by their magic. To be honest, I’ve struggled through a lot of “oh, shit” moments where I’ve put a character in a treacherous situation, and then realized (on the second draft) that they can easily escape. Yes, you guessed it, by using the powers I granted them.

A shapeshifter who can turn into a beetle can escape most confined spaces. Uh oh.

A shapeshifter who can transform into a bird can just fly away from a dangerous situation. Darn!

A pyrokinetic elf doesn’t have to worry much about being stuck in an ice storm. Duh.

A goblin who can rearrange earthen matter should be impossible to keep locked up in a stone cell. Gah! Rats!

The list goes on and on.

My characters aren’t all-powerful, but they have talents. And their abilities change over time, so I have to keep track of where they are in their magical evolutions.

The point is, writing, rewriting, and editing fantasy requires a unique analysis of every action scene. We, the creators and purveyors of magic, have to question our logic in order to keep the story plausible. Can my characters use their magical abilities to get out of this terrible situation?

If the answer is “yes,” it’s time to put on the brakes and check the old map. Then fix the road or plot a detour. The journey must go on.

WIP working cover

Naked shapeshifters? A writing problem.

pixabay image compilation

I’m about 21,000 words into my latest WIP after a week of NaNo. Can I keep up the pace? Not a chance! But it feels good that the words are spewing – yeah… spewing. 🙂

But I have a problem… naked shapeshifters. They’re distracting, and I refuse to bog down the story to deal with all the nudity or the logistics of finding clothing. I’m curious as to how you might handle it.

The challenges of keeping your clothes on while shapeshifting

My human characters are shapeshifters. The story is an adventure that takes place over four large territories. Shapeshifting is a convenient way of traveling, spying, stealing, protecting oneself, and escaping some sticky situations. There are extreme drawbacks to shifting, so it’s a choice that has to be carefully weighed.

Anyway, when a human shifts into a bird or leopard or beetle, for example, their clothes don’t fit anymore and, logically, are left behind. (Yes, exceptions abound, but I’m not going there .)

So the animal travels or escapes, and then shifts back into human form somewhere in the mountains or jungle. It would follow that their tidbits are fully exposed to the elements, to the terrain, and to each other. Naked shapeshifters dangling and bouncing, wrapping themselves in handy fern fronds, or keeping a thousand stashes of plastic-wrapped outfits all over the vast territories doesn’t work for me. What to do?

Of course, I googled this problem, and I’m not the only one to face it.

Here are some ideas based on my research:

1. Clothing is a part of the shifter’s physical organism and when he changes, his clothing goes along for the ride. It’s part of his being. Damaged clothing could regenerate just like physical injuries.

2. Shapeshifters transform by rearranging the space that their physical organism and clothing occupy. The matter that makes up clothing transforms with them.

3. Similar to fey glamor, a shifter doesn’t physically reconfigure matter or change form, only appears to. Thus clothing is optional, and only the shifter knows the truth.

4. A shifter’s pattern, or archetype, is not limited to the physical body and appearance, but includes, personality traits, quirks, instincts, and training, as well as a distinctive choice of clothing. Just as the pattern of a wolf or bear includes a specific coloring of skin and fur. When a shifter changes into another archetype, the clothing disappears with his humanness. When he retakes his human form, the human imprint reappears. The shapeshifter simply transforms from one archetype to another, and back.

5. Another take on patterning – Magic is a form of energy. It interacts strongly with matter and can be controlled consciously. A shifter transforms by mentally reforming his self-image into an animal. The mental image provides a pattern for the magic, and they shift to match. Same thing in reverse, with clothing.

6. Shifters perform a ritual using the carcass of the animal they wish to turn into. They wear the skin or furs of that animal, and when they shift, the ritual pulls through the “bonded” matter around the shifting body. When transforming back, the spell returns the shifter’s body and other matter to its former arrangement.

7. Shifter clothing is crafted from animal skins and furs so it can morph with the shapeshifter. Inorganic items cannot shift and are left behind.

8. Clothing is made for a child-shifter using hides, hair, feathers, and other animal materials. During a ritual, the clothing is patterned to the child, who eventually learns to shift with them. Until they learn this skill, they are shifting in the naked human form.

9. A shifter imbibes a substance that permeates the body and gives the shifter control over his physical organism, integrating consciousness with anatomy. The substance reacts based on the conscious commands of the shifter.

10. The clothing is made of psychoactive fibers that meld into a shifter’s body when he transforms, completely hidden from view.

11. Shifters wear some kind of charm that allows them to change or create appropriate clothing.

12. Magic requires no explanation – it just works.

13. Clothing doesn’t exist in this world.

14. Deal with the nakedness.

15. Have everyone wear ponchos.

Is there one or two of the above that appeal to you? Any other ideas?

Happy Writing!