photography | Myths of the Mirror

I used to post a Sunday Blog Share where I’d reblog a post from our community that I loved. It was a chance to rave about bloggers, writers, books, poems, and stories. When my parents’ health started failing about five years ago, I couldn’t keep up and stopped.

Now I’m starting the feature again. I’m wowed by the talent in our blogging village and grateful for the friendships I find here. Through these shares, I hope to bring my favorite peeps together. And that includes you!

Please welcome my first victim guest: Mike Utley of Silent Pariah.

He’s a poet and writer and photographer, and his work is exquisite. I can’t help gushing. He’s probably glad that I live far away or I’d be his stalker.

Usually, I’d just reblog his post with a little intro, but the poem I want to share with you, Odysseus, was published on Masticadores, India. I’m sending you there so you can read it in one fell swoop: Odysseus.

But the point of this post is to connect you with Mike. So, I’d be thrilled if you visited his blog, a place where beautiful words are born. He’s worth reading and following. And if you’re like me, you’ll start pestering him for a book.

His most recent post features a photograph that he proceeds to describe with stunning emotion and beauty. You’ll see what I mean about this multifaceted artist. Flip back a post and you’ll find some mesmerizing haiku.

Mike’s blog: Silent Pariah.

Comments are closed here. Enjoy.

As storytellers, we create settings and characters with enough authenticity to entrap readers in our imaginations. The goal is to elicit feelings somewhere in the broad spectrum of human experience, to personally invest the reader in the outcome of our tales.

A sense of reality and plausibility in our stories aids us in that task. External intricacy adds texture as it paints pictures in a reader’s mind. Our own emotional landscape is fodder for our characters’ souls.

I love the idea of writers as witnesses. We are observers of details, the ones with personal knowledge of hidden imagery and feelings, which we attest to through our words.

In her book The Artist’s Way, Julia Cameron encourages artists to become witnesses, to take time out of each day to observe our outer and inner worlds with curiosity, as a way of enriching our store of experience and ultimately our art. She suggests occasional artist’s vacations, to gather experiences foreign to our daily routines.

I frequently wander about in zombie-like unconsciousness. My familiarity with my routine and surroundings allows my brain to dally elsewhere, usually embroiled in developing scenes, prodding characters, and plugging up plot holes.

Unless I make a mindful choice to engage, I don’t.

I wrote a post back in October called Emotional Writing about a necessary willingness to explore painful feelings. This is tough work: witnessing our own agony and blindness, picking through our hearts with an observer’s impartial eye. And how far are we willing to delve into someone else’s experience, to embrace it as our own?

Today I’m another kind of witness. If I sit still and pay attention, I see cloudy light reflected on rain-slick leaves, the diamond patterns of stained glass at the end of a dark hallway. Gossamer cobwebs thread the air around the old chandelier. The dog snores on the couch and rain drips from sagging gutters to patter on the metal roof. It’s chilly this morning, and Pinky the cat has commandeered my sweater. If my nose weren’t stuffy, I might smell coffee brewing.