At the Mirror: Out in the Cold

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Eli Kyoko and I began following each other this spring. I’m so pleased to share a poet of immense talent with anyone who hasn’t discovered MoonLit Pieces.

Out in the Cold

by Eli Kyoko

I wore your hat to protect my head
from the debris falling from our family tree
but the spilling blues and red,
lumps the purple on my skin
The invisible scars, the indelible tints
Throbs and thumps within
‘Cause father, when you left
I saw how mother went out in the cold
gasping for life, bereft
She wore my hug to warm her skin, to endure your sin
I caught the cerulean falling stars from her cheeks
and wished for …

 

(Continue Reading: Out in the Cold)

Galatea

Étienne Maurice Falconet: Pygmalion et Galatée (1763)

The Carrot Ranch Flash Fiction Rodeo announced another winner, and I’m thrilled to have pulled off top honors with this one. Yay!

Challenge #4: In a double length Carrot Ranch flash, or 2 chapters of 99-words each (198 words total), tell a story that shows a scar. It can be memoir, other forms of creative non-fiction,  any genre of fiction, or based on a true story.

Galatea

My father was Pygmalion and I his child chiseled by his scowls and smiles into the woman of his daydreams, a huntress, a poet, a woman who walked barefoot over mountains. In the light of his approving eye, I flourished in the myth of Galatea, a living statue until age cracked my smooth skin. What he thought was carved of marble I revealed as plaster, the child beneath growing beyond the sculptor’s control. I was a betrayal of his art, his vision, a flesh and bone girl with her own daydreams, and he said, “I don’t love you anymore.”

And so, the sculptor became a butcher, his chisel traded for a cleaver, Galatea gone, my myth smashed into rubble on the floor. In pieces, I sought new masters to glue together my shattered heart, unable to accept I was clay, not stone, and the only artist was me. For decades, I fashioned a new myth, molded her with tender fingers and scraped away layers of pain, all the while longing for my maker to undo the original wound. But time cannot be undone or cuts unmade. I forgave and finally became a woman wholly of flesh and bone.

 

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Many thanks to Carrot Ranch and to the judges, and congratulations to all those who entered. To read the powerful work of other top contenders, click here: Carrot Ranch