I did it again. I jumped in feet first and then asked questions later. Thank goodness I had an audiobook narrator who held my virtual hand.
Rather than share my newbie inexperience, I thought you might be interested in hearing from a pro.
Meet TJ! His voice brought my book Sunwielder to life, and this week the audiobook went live!
1. Tell us a little about you, your professional background, and why you decided to begin narrating audiobooks.
I’m a trained actor with a BFA in theater from Syracuse University. My family was always big on audiobooks (back when they were “books on tape”) during long road trips. I have a pretty vivid memory of listening to James and the Giant Peach on a trip from Connecticut to South Carolina. Somewhere along that road there is a giant water tower in the shape of a peach and it made the whole thing really magical to me. I realized I wanted to do them myself when I was a teenager and my sister was reading Lamb by Christopher Moore during a cruise vacation. She got seasick and couldn’t keep reading so I picked it up and read aloud to her on the beach while she tried to keep from throwing up. After a while, mom came over and told me I need to keep my voice down. I looked around and a little gathering had amassed. Everyone said “no, no, keep going. This is great!”
2. What do you look for in a book when choosing to audition for a project?
A lot goes into picking a project, but first and foremost, I have to want to read it. If the audition script is good, that’s step one. But this is a lot of work for a narrator so I do have to consider “Is it going to be worth my time?” Royalty Share Plus is definitely the best way to get a quality narrator’s attention. It shows you believe in the project and will respect my time. If you can’t invest the money and are hoping to find someone good willing to take a risk on royalty share with you, you need to let people know you have a great marketing plan. No book sells on good writing alone. There is just too much out there. Oh, and the cover matters. Make it a good one.
3. What kind of preparation do you do before starting to record? How do you get a feel for the characters and tone of a story?
Total honesty: I don’t read the books before I start. For me, it just takes too much time. This goes back to the last question – if I can’t hear the book in my head from the audition sample I won’t do it. The tone, main character, style, and pace are usually all right there, and if I book the job, that means we are simpatico and I am ready to roll. As I go, picking new character voices sometimes requires pausing the recording to read ahead a bit, but other than that, I just try and stay alive in the story and have fun.
4. How do you come up with different voices and keep them all straight?
Voices come from all over. People I know in life, celebrity impressions, facial expressions I feel like the characters would fall into a lot. I take notes in a journal as I go. Sometimes I have to back to double-check the recording. Some characters are gone for a long time, and I’ll look in my notebook, and it will say something like “slow James Dean” and I am like, “Ok, gotta hear that again.” Haha.
5. How can an author best prepare for the audiobook process?
Authors should understand 2 things: narrators aren’t perfect, and this takes a lot of work. I’ll elaborate, you are going to need to listen to these carefully. It’s your book and you want it to be without mistakes. So be ready to double-check your narrator’s work and help them get it right. However, we auditioned and you picked us. So that means you like what we do and have to trust us. Every change takes us a lot of time so don’t expect to be able to ask for different takes and nitpicking. So you have to come to terms with protecting your baby and letting it go at the same time. Beyond that, if there is something you care about (voices, accents, pace) you have to communicate that up front. So have it all planned. Having a “dream cast” that you can show your narrator is very helpful. And if your book has made-up words and names a pronunciation guide is essential. My favorite way anyone has done this for me is chapter by chapter. So before I record chapter 5, I can look at chapter 5 notes and see what weird words or new characters are about to come my way.
6. What is the greatest challenge(s) in recording an audiobook?
Time. Haha. Editing these takes a while and parts of it are very repetitive. But it literally takes 100% focus to get it right so it can be very mentally draining.
7. How would you describe your recording process? How long did it take to record Sunwielder?
I’m a working actor and I am on set a lot. So I record on days off or nights or weekends. Then I bring my laptop to set and edit during my downtime between takes. It took me about 6 weeks to do Sunwielder and that was pretty breakneck for me. I have found a good pace for me is 2 complete hours a week. Obviously, I can do more and there are faster narrators than me. But that’s about what works best for my brain.
8. Any marketing tips that you’ve seen authors use successfully in the past? I had to ask!
Get reviews. All the reviews you can. Find people on twitter. There’s a great writing community there. Instagram is pretty good for audiobook reviews too. Goodreads is an amazing resource. Get the book in as many hands as you can and ask everyone to post a review on audible, amazon, facebook. Everywhere.
Note from Diana to blog buds:
Are you an audiobook reader? Do you want to be?
I have Audible credits to share in the US and UK.
Leave a note in the comments, and I’ll send you one.
And please make TJ’s smile even brighter with an honest review. ❤
9. Any other behind the scenes advice for authors?
My best advice to self-published authors is this: just because there is no publisher doesn’t mean any of the jobs of a publisher can be ignored. You just elected to take them all on yourself. So you have to find an editor (it can’t be you), you have to find a PROOFREADER (yes, editors and proofreaders are different and the proofreader DEFINITELY can’t be you), your cover has to be professional, you have to buy ads, you have to get reviews, you have to go to conventions and meet people. You wrote a book! That’s amazing! There’s a lot of work left.
10. Can you share a short teaser of your work on Sunwielder?
Chapter 42 is my favorite. I think it’s some of the best work I have done so far in my career. So get ready for that.
Thanks so much, TJ, for your wonderful interpretation, for guiding me through the process, and sharing your expertise. 🙂
Sunwielder Review
A recent kindle review from Jacqui Murray at WordDreams. Thank you, Jacqui, for your wonderful support.
Jacqui Murray reviewed Sunwielder: An Epic Time Travel Adventure
What wouldn’t you do to save your family? October 18, 2019
In Sunwielder (2016), D. Wallace Peach’s fantasy world is not unlike Earth’s medieval world of hardworking commoners, feudal lords, and warring kingdoms. The hero Gryff wants only to be a farmer and raise horses when his entire family is wiped out by a man who hates him for no apparent reason. When he has the opportunity to change his past with the time traveling Sunwielder, given to him by a timekeeper from a neighboring land, he takes it without questioning the cost. Even though it means he must leave the pastoral beauty of his farm, the loving warmth of his family, and spend the next years as a soldier, fighting a battle his farmer self barely cares about, he takes it. His one promise to his wife when he married her was that he’d keep her safe. He doesn’t intend to break that promise. From the moment he dons the Sunwielder, his life is controlled by a future he isn’t sure of. All he knows is when the present doesn’t work out ‘right’, he dies and gets to try again.
This is a fast-paced story of undying love, baseless hate, and how a family’s life becomes the pawn between those two. One of the most beautiful parts of this story is simply the way Peach links her words. Read this:
“Nearly three hundred men in the great hall dropped to one knee, right knuckles to the floor, heads bowed.”
”Black oaks, dark with summer leaves, swathed the trail in shifting shadow. Shafts of sunlight speared the forest floor, altered only by the sway of branches in the heated wind.”
Peach has a way of picking exactly the right word to evoke so much more than the meaning would promise. Few are better at world building. This is highly recommended not only for those who love fantasies but those who enjoy a good military thriller.
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Good interview, Diana. Thanks for the insight. I have thought about possibly having Miedo narrated but am still unsure about it or if it’s worth the investment.
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You can do it for free, Kevin, with a straight royalty share. The most challenging part is picking your narrator (whether you’re forking out a payment or not). The rest is pretty easy. 🙂 Miedo would be great. But you could also start with one of your short story collections. Something to think about. 🙂
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That’s great advice. I should start with one of my shorts… I’ll definitely give this some thought. Thanks, Diana. 🙂
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Great interview and review… and yes love audio books.. 🙂
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What a fun job this would be! Lucky him, doing what he loves and is good at. I’ve seen that giant peach water tower on a drive south, have a picture standing under it, but from afar. Kind of funny. 🙂
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Ha! I tried a bit of narration for a book trailer, and it’s SO much harder than it seems! Plus I sound like I’m 10 years old. 🙂 And the giant Peach watertower? Ha ha. I’ll have to look it up. 🙂
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If you sound like you’re ten years old, you should narrate children’s books! 🙂
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Oh, good idea. I can do some pretty silly voices. 🙂
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I really enjoyed this interview. I love listening to audiobooks and some narrators are definitely better than others. I’ll have to listen to this one to find out how good TJ is. I often wonder, as I listen, how much of the text is changed (unintentionally) by the reader – we all do it, but it never seems to matter. And it all seems so flawless and continual, it just flows of the tongue, that it seems it’s done in one session. This was very informative. Thank you for sharing.
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I’m glad you enjoyed it, Norah. TJ made tiny unintentional changes as he read. I had him correct most of them, but some I let slide if the meaning was unchanged (he used “the table” instead of “a table.” And it is amazing how it seems to flow when, in fact, it’s recorded and edited in chunks. Let me know if you’d like a credit – I have lots and am happy to share. 🙂 Happy listening!
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Thanks, Diana. I’ve got a couple of hours left in my current “read”. I’m seriously thinking of getting yours next. I’m happy to purchase it, but thanks for the offer. I’ll let you know what I think. 🙂
I can understand your wanting the words read correctly, after all, you agonised over them.
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Thank you, Norah. I hope you enjoy it and would love the honest feedback. 🙂
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Thanks, Diana. I’m looking forward to reading it now. You’ll be following Brene Brown. 🙂
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I’m on pins and needles. Ha ha. I hope you enjoy it. 🙂
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I’m sure I will. 🙂
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Reblogged this on firefly465 and commented:
A must-read for anyone interested in turning their novel into an audiobook. Thank you, Diana xxx
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Thanks so much for sharing, Adele. I hope you give it a try!
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This was a fascinating look into a world I want to try. So much information which I wouldn’t have thought about, thank you, Diana, and T J Clark, xxx
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I’m glad this was helpful, Adele. With ACX, the process is actually quite easy. The most stressful part is picking a narrator, but once that’s done the rest flowed (for me anyway). TJ was great at helping me too. And if you go straight Royalty Share, there’s no cost to you. That’s kind of nice. 😀
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Reblogged on http://www.mwdavis.net/2019/10/24/interview-with-an-audiobook-narrator/
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Thank you so much for sharing the post! What a nice discovery when I woke up this morning. I’m glad you enjoyed it. 🙂
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[…] Head over to read the rest of this interesting post especially if you are thinking of taking your books to audio and there is also a great new review for the book: https://mythsofthemirror.com/2019/10/21/interview-with-an-audiobook-narrator-tj-clark/ […]
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Thanks so much for sharing, Sally. I’m glad this seems like a useful post and makes the process seem a little less intimidating. 🙂
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Reblogged this on anita dawes and jaye marie.
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Thank you so much for sharing, Anita and Jaye Marie. I’m glad you found this informative. It was quite an experience and I learned a lot (some of it after the fact. Ha ha). Have a great weekend, my friends. 🙂
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Fabulous interview with TJ. I don’t read audible books myself, but I know they’re huge…and very daunting! The whole things feels a little less terrifying now. 🙂
Awesome review from Jacqui too. So glad Sunwielder is going places. Definitely one of my favourites.
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Thanks, Andrea. I’m still reading kindle books on my phone (because most aren’t available on audiobook), but I know that audiobooks are becoming more popular, and it seemed like a good idea to give it a try. And it isn’t that daunting really. In fact, ACX makes it very easy. Some day, you must jump in with Innerspace – a series that I loved. ❤
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Yeah, that’s my reading of the market as well. Unfortunately cost is the issue. None of my books have the volume of sales that would make it worth the narrator’s while to partner with me. Maybe one day. 🙂
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Getting reviews is such hard work. Ugh. Have you tried the Goodread’s Review Group? Check out the Reading Rounds. Here’s a link: https://www.goodreads.com/group/show/78683-review-group
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Thanks, Diana. Just had a look and it’s changed a lot since the R4R days. Much more formal now and no real choice of genre. 😦 Back in the day I chose two sci-fi stories. One was absolutely brilliant. The other I didn’t like at all. I don’t think I could commit to 4 random books, but I’ve seen some people offering to do reviews. Might investigate a little further. Thanks for reminding about Goodreads.
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The Reading Rounds occasionally have an “Out of this World – Now Forming” round which is all speculative fiction. That’s the one I sign up for. Some books are unbearable, but I deal with it. And the rounds are Amazon approved. 🙂
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I saw The Melding of Aeris there, but I think I’ve already reviewed it. Loved the concept, btw. 😀
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According to the rules, we wouldn’t be able to review each other. I’ve read some terrible books there, but also discovered some very talented authors. 🙂
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Ah, okay. I had a feeling that would be the case but I haven’t been on Goodreads for a while. It is a bit of a lottery.
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Interesting and very informative, TJ and Diana. Congratulations all around! 🙂
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Thanks, Bette. It was quite and experience, and I feel better prepared for the next one, for sure. 🙂 Happy Maine weekend, my friend. ❤
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Thanks! 🙂 Wishing you a Happy Weekend too! xo
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[…] Continue reading at Myths of the Mirror […]
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Thanks so much for sharing, Sue. And I apologize for the delay in responding – yesterday was one of those days. I’m so glad you enjoyed the interview. 🙂
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How exciting, Diana! Congratulations!
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Thanks, Robert. It was fun, a bit of stress, a bit of work, and a learning opportunity. I’m pleased with the way it came out and appreciated TJ’s help along the way. Happy Friday, my friend.
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Fun always seems to involve a bit of stress and a bit of work. Have a good weekend.
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Hi Diana, I’m back and have read the interview. Congratulations again for your new adventure of doing audio book.
I enjoyed listening to audio book back in the days of cassette tapes. In my teaching days, I played the tapes to the students with the front of the books facing them and paid attention to them. I read aloud to the students regularly. I was good in reading a new book and read with intonation and expression. So I understand when TJ said he didn’t read the book before recording.
I like his answer for question 5 – the author’s preparation. I’ve written some children’s stories more than 10 years ago and considered finding an illustrator. The recommendation for the illustrator to do closely to what the author wants is to provide notes for the pages. As TJ noted that it helped the narrator to do what the author wants when the notes for each chapter are there.
I did radio broadcasting in my younger days. When recording stories, we had a team playing different roles. It was easier than having one person playing both male and female roles. I can understand the audio book is done by one narrator.
Your interview questions are great. Did you talk about how you found TJ?
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Some audiobooks do have more than one narrator to cover the female and male voices. But I think its more complicated and probably more costly than going with one narrator. I went through ACX and they’re very organized. TJ’s audition was one of about 12 and I liked his voice the best. Thanks for the visit, Miriam. Hope you’re well rested!
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Good to hear you had choices and picked the one you liked! I’m taking care of some family situation (14 hours ahead). I’ll be okay. Thank you!!
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❤ (Hugs) ❤
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🙂 ❤ 🙂
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I agree with you on the answer to question 5. Protecting your baby while letting go at the same time is important. I also like the answers to question 9.
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Oh, yes, Rob. Yes, Editing, proofreading, and the author’s promotion are important too.
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Yes. The problems of editing and proofreading are difficult to solve for writers who can’t afford to hire people. Sometimes you just have to do it yourself and hope for the best.
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For proofreading, I use Grammary. It catches most of the spelling errors. It doesn’t like abverbs and passive voice. I find it helpful. For editing, I use members from a writing critique group. Many are retired teachers. I could join an online critique group, but I didn’t.
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I finally got my partner to agree to proof my work. I hear good things about Grammerly. I hadn’t considered an online writing group. Thanks Miriam. 🙂
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I’m glad your partner will proofreading. As far as writing group, I’ll stay with the people group.🙂
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🙂 Thank you Miriam. 🙂
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You’re welcome, Rob😀😊
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🙂
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I use Grammarly too, Miriam. And a critique group is a wonderful source of feedback. 🙂
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Yes, Diana, I find the critique group helpful. 🙂
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Swapping can be a decent solution, particularly for proof-reading. Finding an author partner who takes ownership of the task isn’t always easy, but it is cost effective. 🙂
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That letting go part was interesting, Robert. There was no way in the world that TJ could perfectly match the voices chattering in my head, particularly the female voices (of course). I struggled with that in the beginning, but had to relax and let it happen. Other than that, the process was a breeze. 🙂
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Diana, this is all so exciting! Congrats on launching the audio version of one of my favorites among your novels. I very much enjoyed your interview with TJ Clark. I’d like to do something like that, but first I need to either have money or through some miracle sell books. Also congratulations on this terrific review by Jacqui Murray. I’m thrilled by your success. ❤ Hugs on the wing!
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Thanks for the enthusiasm, Teagan. 🙂 You can make an ACX audio book through a straight royalty share if you’re inclined. The only thing you need in that case is time. Ha ha. So when you’re ready, don’t let a lack of funds hold you back. ❤
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This was interesting and educational, Diana. Sarah is an audiobook, but my publisher took care of getting a narrator. I was only asked to give him examples of actors that may resemble my characters. When I was sent a clip of the recording, he’d used a deep southern accent for the characters – which wasn’t right for them at all. To my knowledge, he nixed the accent, but I’ve never had the heart to listen to the audiobook.
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Wow. What a surprise that must have been. Getting the right narrator is by far the most important (and therefore the most stressful) part of the process. And we have to allow the narrator his own interpretations, since they’ll never match the ones in our head. But an accent choice seems like a big decision to make without running it by you. I hope it turned out well. 🙂
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How cool Diana. I need to finish reading the rest of your books. ❤
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You’ve made a big dent, Colleen. And I send giant ((hugs) your way for that. Thanks for the visit, my friend. Take care of yourself and Happy Writing. ❤
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Halloween hugs winging their way to you, Diana. ❤
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This was fantastic and informative. Thanks Diana and TJ for this wonderful advice. And congrats for diving in Diana! 🙂 xx
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I think the choice of a narrator was the hardest part, Debby, and I feel I made the right decision. The rest is pretty easy for the author – just listen and jot down corrections, and relisten until it’s right. Time-consuming, but not hard. 🙂 Thanks for the visit, my friend. ❤
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Thank you for the wonderful post and information Diana. We all learn from each other. ❤
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I found this interview so interesting. I know nothing about the audio process. Congrats on going to next next step with recording the words.
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Thanks, DL. I know quite a few people who listen to books and figured it was worth a try. So far so good. 🙂 I hope to do another in the future. Have a wonderful day and Happy Writing.
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Absolutely fascinating Diana and so useful for any author considering taking their books into audio.. thank you for sharing.
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Thanks for the visit, Sally. It was quite an experience and I learned a lot for next time around. TJ was great to work with too and very helpful. Have a lovely day, my friend. 🙂
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You too..hugsx
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My brother in law listens to a lot of audiobooks and he starts to recognize narrators from book to book and have his favourites.
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It’s so important to get the right narrator. And really, it’s the most stressful part of the entire process. I have heard that people get attached to narrators and I can totally see that happening. Thanks for the visit, Jay. 🙂
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Congratulations on the audiobooks!
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Thanks, Damyanti. Perhaps this will be in your future too at some point. 🙂 Congrats to you on your new book and Happy Writing!
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What a unique and cool perspective.
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Thanks, Chelsea. I should have asked the questions prior to doing this, but all in all it was an easy process. It was fun to dig into TJ’s experience a little bit too. 🙂 Hope you had a wonderful baby shower!
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Thank you!
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Wow, congratulations on going the audio book route, Diana (and also for that excellent review on Jacqui’s blog).
This was an interesting interview. I admit I don’t listen to audio books, but it was still fascinating to learn about. And it seems they are becoming hugely popular. Wishing you and TJ all the best!
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They do seem to be popular, Mae, so I thought I’d give it a try and see what happens. And thanks for the congrats on the review. Jacqui is a wonderful support (as are you). Happy Writing!
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Firstly, congratulations on the audiobook, Diana! Secondly, what an interesting insight into what a narrator looks for before taking on a script. It all goes back to the writing, but I also found it interesting that he mentions a marketing plan. That too is super important. Thank you for sharing this!
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Yeah. Polished writing makes the whole process easier (another reason we should read our work aloud as part of our editing process). Marketing is really important since that’s how the narrator is paid, at least partly. An author has to step it up since we’re “responsible” for making that happen. Thus the post! Ha ha. Thanks for the visit, my friend. 🙂
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Congratulations, Diana. I thought of doing audio book from the beginning but haven’t contacted anyone yet.
It’s 3am, I’ll read your interview in the morning and comment some more.
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Thanks, Miriam. Go to bed! See you in the morning. 🙂
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You’re up early, Diana. I must catch up with reading blogs. 🙂
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I get up before 4 AM. The only downside is I’m asleep by 8. No late-night TV for me. 🙂
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You’re the only early early bird. One of my professors got up at 4 a.m. A friend goes to bed at 7 p.m. when she was working. We have about the number of waking hours. 😊
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😀
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Diana, congratulations on this audiobook and thank you for sharing this superb interview with TJ. He’s incredibly knowledgeable, eloquent and tells the home truths about self-publishing. The onus is on the author as a publisher to do all the work of a publisher regarding promotion, and to know how to find good editors, proofreaders and cover designers. I was fascinated to learn how he prepares for the recording and wow! What praise for chapter 42 … I’ll read that most carefully. As I’ve had some requests for an audio book of The Storyteller Speaks I looked into this earlier in the year and met up with someone. I realised however that they were new to this and had no recording equipment even. I’m so glad this has worked out so well for you and I may well pick your brains about this in the near future! Well done and best luck to the audiobook. I’m sure it will do brilliantly!😀
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Oh how exciting for you, Annika. Pick my brain anytime you want. Lol. A clean polished read (which you have) is critical since all the challenges of the book show up in the reading. I also went with Royalty Share Plus, paying a bit extra to make sure I had a professional narrator with other books to his credit. It’s not like you get to edit it down the road as you can a written book, so the narrator decision is the most important one you’ll make. I hope you take the leap. It’s fun. Have an awesome day, my friend. ❤
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So that’s how an audio book is made! Quite interesting!
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I really had no idea what I was doing when I jumped in. But the process is fairly straightforward in the end, and the narrator does the bulk of the work. TJ made it easy for me. Thanks for taking a peek at the post, Jomz. Have an awesome day. 🙂
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Quite mindblowing, I would say! 👍😃
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It felt like a huge project, Thea, but wasn’t that difficult really. Choosing a narrator is the biggest (and most stressful) decision. Then the rest flows. Thankfully, I made a great choice. 🙂 Have a wonderful day, my friend. Happy Writing!
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I had no idea what it would be like, so it was very interesting to read about it.
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Congratulations Diana! Going audio is another father in your cap and your narrator seems to be quite focused. How did you meet him?
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Thanks for the visit, Balroop. I hear so much about how people are listening to books these days, it seemed like a natural step. I went through ACX and posted an audition script. TJ auditioned and I liked his interpretation of the main character, made an offer, and he accepted. Then we were off and running (or recording). 🙂 BTW, I finished your latest book – review on its way. ❤
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I agree Diana, audio books is the next book revolution after going digital. Good for you.
Thank you so much Diana, I am waiting to hear your analysis of Moments…
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Look at you kicking goals! You’re such an inspiraiton Ms Peach 🙂
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I’m trying, Jess. It’s non-stop. With a narrator depending on my/our sales too, it sort of ups the game, and I feel like I need to put in the effort. 🙂 November is going to be all about writing, though. I can’t wait!
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Sending mental hugs and y muse your way ❤️
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Fantastic review, Diana! TJ gave some great tips in his interview. I especially liked finding famous voices that fit as examples of what you’re looking for- excellent advice!
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I didn’t do a few of these preparatory steps, Jacquie. Part of that learning curve thing. But next time I’ll know better! Have you considered audiobooks for your books? It was quite an experience and well worth the effort.
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Yes, I have a few out, though I went with the share program instead of share +, which I believe is fairly new?
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Share + is relatively new. It was one of many hard decisions. 🙂
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This is wonderful Diana! I enjoy audiobooks, however if the voice is not a match for the story never want to hear it again. I enjoy the monotonous tone of Alexa- she reads all my regular books, she doesn’t try to make men voices or accents, that’s the worst in an audio books.
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I can understand that, Solitaire, since Siri reads to me, and her drone doesn’t misinterpret anything, she just drones. Lol. Geeting used to a man’s voice doing a woman’s voice was the hardest adjustment, but I did get used to it, and the intonation and personality behind the words are nice. 🙂 A great experience over all.
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A fascinating interview TJ and Diana.
And, how exciting. Diana, to have your words interpreted. Congratulations.
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The hardest part for me was adjusting to the inescapable fact that the voice(s) of a narrator will never match the voices in my head. Ha ha. The whole process though was pretty easy. Now that I have the hang of it, I’m looking forward to doing another. 🙂
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I enjoyed the interview between you and TJ. Fantastic answers, TJ. I’m curious though… Diana, what do you send to a narrator? What is TJ talking about when he says “audition script”? Is this something you prepare or what TJ prepares as, like it says, an audition for you to choose your narrator? Thanks. Lovely review from Jacqui by the way.
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Hi Mary. ACX is really great at guiding an author through the entire process. You actually choose a snippet of your book (about 10 minutes for you to read) that you want narrators to read for an audition. Then paste (or upload) it into ACX. I picked a romantic scene and a fight scene since I wanted to see how narrators handled both, including a woman’s voice. Then narrators post their auditions of your snippet(s) on ACX and you can listen to them and comment and stress out about making a choice. That was by far the hardest part… choosing! It was a great experience and I’ll definitely do another. I hope that answers your question. 🙂 Might you give it a try?
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I was wondering the same thing!
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Thanks for the visit, Liz. ACX has the whole thing down and organized. The process is easy, but the decisions along the way feel monumental. I hope to do it all again soon. 🙂
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Is it terribly expensive?
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It’s possible to do “royalty share” which will cost you nothing, Liz, – you just share profits 50/50. I did “royalty share plus” where I kicked in some cash too for each finished hour (15 hours for my book,). I thought it was worth it to get as good a narrator as I could afford. What you offer for the “plus” is totally up to you, and I could find very little advice on the internet. So I took a stab at it. I think I got it right as I’m happy with the result. 🙂
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Oh, okay. When I looked at the cost of professional narrators, it was around $250. and hour, so I didn’t pursue it any further. Something to think about for sure.
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I would love to be able to afford that, Liz, but no way. For most of us either the royalty share or royalty share plus are manageable. 🙂
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I couldn’t even begin to afford it!
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I put this book on my reading list – guess I’d best get over to my listening list, eh?!! (I blame this on old age – can I use that excuse here?)
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Yes. All excuses honored here. 🙂 Thank you, GP. I do hope that when you get to it, you enjoy it. 🙂 Much appreciated.
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Congrats Diana for getting your book on Audible. And what a fantastic insight into the making of an audio book! Thank you so much for the feature, I learned something today. And as for Jacqui’s sterling review…*sigh, what’s a book nerd to do? 😀
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Ha ha. I’m glad you enjoyed it, Khaya. I would think that poets would be wise to record their own books. It seems like poetry is too personal to do otherwise, but that’s just my guess. 🙂 And yep, Jacqui did a lovely job with the review. Thanks for the visit, my friend. ❤
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I agree, poetry can be personal. It would be wise indeed for poets to record their own work. 🙂
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This was great. Always wondered about the process and efforts that go into audio books.
Thank you for giving us a peek into the process.
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You’re welcome. I thought this would be more helpful than an account of my bumbling – which is always a learning experience. Thanks for the visit, Andrew. Have a wondrous week. 🙂
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Lol. Oh, I thought I was the only one who learned by bumbling.
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It’s my go-to educational strategy. 🙂
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LOL
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I’ve wondered the same thing. The interview was very informative. I was surprised that TJ would record a “cold read,” although I understand his point about time.
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I actually was surprised by that too. But it worked. 😀 He knew what he was doing!
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This is a great interview, Diana. I was most interested to read about the narrator’s point of view when creating an audio book. I have been toying with the idea of doing an audio book too but it does sound like a lot of work.
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The process is actually quite easy if you go through ACX. It’s just time consuming to listen and relisten to the recordings. You don’t want to hold the narrator up. But other than time, it’s not hard at all. It is weird to “hear” the characters’ voices, because they will sound different than the voices in your head. Lol. But you get the hang of it. When you’re ready, go for it. 🙂
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Thank you, Diana. I even know who I want to narrate, I just need more time.
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Excellent! That’s the hardest part – choosing a narrator, so you’re on your way. 🙂
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Thank you both for a great interview. It was very helpful, as I have creating an audio book on my “to do” list.
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It wasn’t that hard, Brigid (for me anyway. Lol). But it is time consuming and you want to keep up with the narrator since they’ve committed to a time frame. ACX made it really easy, and they’re set up to guide you through the process. I’ll definitely do more of them. Well worth it. 🙂 I’m glad this was helpful.
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Class finds class, Diana! A great post.
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Thanks, Eric. I’m glad you enjoyed it. It was quite a learning experience – before, during, and after! Lol.
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It thrills me to read this interview Di, as it is my first time to ever encounter an audiobook narrator..😊😊😊
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I was really glad that TJ agreed to be interviewed since he’s a busy person. I thought it would be helpful to the indie community since so many people are listening to books these days. 🙂 I’m glad you enjoyed it. Happy Writing, Mich.
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I did Di..thank you for sharing him with us..
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What a great interview. Thanks for introducing us to TJ, Diana. Being a lover of journals, I love that he keeps a journal of the voices.
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He had to, I would think, Jill. This is a single point of view story, but all those side characters that the main character meets had to have distinct voices. It was cool to listen to all the ways he altered his voice. My favorite (other than my main character) was a barbarian king. It was hysterical. Thanks for the visit, my friend. And congrats on Jacqui’s review of your book. I can’t wait to read it. 🙂
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Congratulations to you too, Diana! ❤️
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What an interesting interview, TJ and Diana. I’ve never talked with an audio book artist before. You make the process sound so credible.
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It was quite easy for me, though time consuming. I listened to and read along with each take on each chapter twice and occasionally 3 times to make sure I caught the glitches. It’s a process to be sure. I’ll definitely do another after I save up for a bit. Thanks for stopping by!
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You must have been glowing like mad when you first read that Kindle review. 😀
I really enjoyed this interview. It was interesting to read how a narrator goes through his process, especially with choosing different voices.
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Thanks so much for the visit. I was pretty tickled by the review – you’re right about that! And I was amazed at how TJ, first, came up with so many voices, and second, kept them straight! Way beyond my skill set. Thanks for the visit and have a wonderful week. 🙂
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You’re very welcome!
Haha! It’s definitely beyond my skill set too. 😆
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What a great interview and insight into the nuances of being an audiobook reader. Who knew?
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I didn’t. Ha ha. I really should have asked some of these questions before I started. But now I know. TJ was so patient with me, and he did a wonderful job. 🙂 Thanks for the visit, Kevin. 🙂
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Wonderful.
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Thank you! I’m glad you found this interesting. It was quite an experience. 🙂
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I found it extremely good and informative. Thank you so much for sharing.
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