There’s something special about seeing another writer hit his stride with a really great book. A couple weeks ago I finished The Spirit of Cahir Mullach by Clayton Callahan. I loved the “voice” of this book and though I rarely (never) read books aloud, I couldn’t resist the occasional urge to don my improbable Irish accent and enjoy the sound of this tale.
Why did I “hear” this tale in my head…?
Clayton is a natural storyteller from the oral tradition. I’ll let him tell you about the inspiration for his book:
I have always had a deep fascination with history, culture, and people in general. It was that interest that led me to join a peculiar organization called the Society for Creative Anachronism when I was but a lad of seventeen. While other high school guys were perfecting their mullet (it was the 80’s), I was finishing work on my leather and chainmail armor for the upcoming tournament.
The SCA was a medieval extravaganza, complete with dancing, sword fighting, food, brews, music, and storytelling. Truth be told…I wasn’t too good at the dancing or the sword fighting. However, at storytelling, I can boast some talent. I’d pour through the public library for folk tales, mythology, and legends suitable for a fireside performance and worked hard to bring them to life before an audience of inebriated Vikings/college students.
One of the marvelous tales I discovered was The Great Mr. Berry of Cahir Tyrone. The traditional folktale is much the same as the book. However, since it blatantly takes place after the Middle Ages ended, I never was able to use it in the SCA.
Fortunately, a good tale is never forgotten, and now twenty-odd years later, I’ve given it another crack.
The story starts in the Irish town of Baile with a fireside recounting of the time Lord Oisin defended the village against Viking raiders who attempted to abscond with his cows. As the legend goes, Oisin’s spirit still dwells within the ruins of his great castle, Cahir Mullach.
It’s now the end of the Revolutionary War in America, and thousands of redcoats return to Ireland in defeat, Michael Snodgrass among them. He marches across Ireland, a trek that takes him through Baile, where Mr. Terry plans to sell his cows, evict his tenants, and raise sheep.
Mr. Terry’s also the billetmaster, and he sends poor Michael to be quartered in the ruins of Cahir Mullach. The king’s law is clear that any subject must make welcome a soldier who holds an official billet in hand… and that includes a subject now eight hundred years dead.
I thoroughly enjoyed this book for a whole bunch of reasons. Despite being a work of fiction, it’s well-researched and sprinkled with details that bring authenticity to both of the book’s settings – America at the end of the Revolutionary War and the rural Irish village of Baile.
The point of view is shared by a number of wonderfully rounded characters with distinct voices and personalities. Relationships feel genuine and are recognizable to anyone living in a small community where differences are dealt with peaceably and according to custom. The story has a load of warm humor amongst some darker moments. Beyond the tragedy of war, there’s minimal violence, just ordinary villagers going about their day and experiencing extraordinary events.
The main character Michael Snodgrass carries most of the story. It was interesting reading about the Revolutionary War from the point of view of an Irish redcoat who had no stake in the conflict other than to stay alive. Michael has a true heart and guileless nature that’s endearing.
What I loved best about the story, and where Callahan truly shines, is in the authentic voices of the narration and characters. I read many parts of this story aloud just to bask in the lilt of the language.
The souls of his shoes were so worn that every chunk of gravel in the road seemed to take time out of its busy day to introduce itself personally to the feet of one Corporal Snodgrass.
Granny Collins had been laying out gifts of buttered leeks, biscuits, and milk by a hole in the old castle wall for the “good folk” of the hill. And kind as the father was, she’d no intention of abusing his good graces with her less than Catholic ways. But Christian or no, it was always best to be on the good side of fairies, lest children start coming up missing in the town.
The first chapter of the book is a long one and recounts the tale of Cahir Mullach in a more stylized voice. After that, the book transitions to the “modern” 18th century and the pace picks up. The book suffered from poor editing, but that appears to have been corrected by the author.
A delightful read that I recommend to all ages, and particularly to those who love myths, legends, and tales full of personality.
A final note: Clayton has written across several genres. Though he writes primarily space opera, he also has a historical spy novel and non-fiction book: Armed Professions: A Writer’s Guide that I’ve referred to many times.