Write and Change the World

Sally Cronin has a wonderful new feature:
Smorgasbord Posts from Your Archives.
I’m honored that she shared my old post on the power of kindness.

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Today Diana shares her thoughts on random acts of kindness and explores if they can make a difference in this world that is struggling with so many disenfranchised and poverty stricken people. Is there a ripple effect of our efforts closer to home?  Read on…..

Write and Change the World by D. Wallace Peach

Most of us have days filled with small acts of kindness. We smile, kiss hurt elbows, throw tennis balls for our dogs. We pay for a coworker’s coffee and leave a big tip. We call a friend in need, chauffeur teenagers, cook a favorite meal, or pick up ice cream on the way home. These small invisible acts often go unacknowledged, but they travel around in overlapping circles, keep our lives balanced and relationships healthy. We see the results in strengthened bonds, deeper commitment, and abiding love.

But what about those times when we don’t see the ripples? When we toss acts of kindness and compassion into a seemingly bottomless well of suffering and despair? When we perceive no reward for our efforts? When we don’t know if we’re making any lasting difference in our world at all? Some strangers we’ll meet face to face, but most we’ll never know. The poignant tales of their lives will play out in other neighborhoods, other cities, and other lands, unseen and unheard….

Continue reading: Smorgasbord Posts from Your Archives – Write and Change the World by D. Wallace Peach

Jumping Genres

I’m delighted to be over at Julie’s today with a short and somewhat silly post about “Jumping Genres”… what possessed me, after years of writing for adults, to write a book for children. I hope it brings a smile. 😀

Facets of a Muse

Please welcome my good blogging friend, D. Wallace Peach. Besides having a wonderful blog where she shares poetry, short prose from writing prompts, and peeks into visits with her grandson, she’s a prolific fantasy/sci-fi author. Since she writes for the adult market, I wondered why she chose to write a children’s book, so I invited her to stop by and shed some light on the subject. Take it away, Diana!

Available in Print: USA, UK, Canada, India

Julie asked me what possessed a writer of adult fantasy and sci-fi books to suddenly write and illustrate a children’s book.

The answer isn’t quite straight-forward, but it’s not that complicated either. I never set out with a children’s book in mind, but sometimes the ingredients come together and it’s a matter of timing more than intent.

The main reason is Tornado Boy.

Tornado Boy is 4 years old…

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Guest Post: Andrew Joyce and his Stories

Click on Any Cover for Amazon Link

If you haven’t run across Andrew Joyce in your blog travels, he’s a prolific writer of short stories and novels. He’s here at the Mirror to share a bit of his writing journey, and if can entice you, sell a book or two. His latest book, a collection of short stories, is on sale today for $.99. Take it away, Andrew:

Hello, my name is Andrew Joyce.

I have a new book out entitled Bedtime Stories for Grown-Ups. It is a collection of short stories I’ve written over the years. Inside Bedtime Stories you’ll find tales of fiction and nonfiction. There are all sorts of genres within its pages, from westerns to detective stories to love stories and just about anything else that you can imagine. Some of the stories are dark and some are lighthearted, but I hope you’ll find them all captivating.

Okay, now that I’ve got the commercial out of the way, I can get down to something Diana and I thought I should talk about. Namely, my experience writing short stories versus novels, and why I chose some of the stories included in the book.

First, a brief history of the modern short story:

Magazines had been around for a while, but were never widely distributed until the early 1900s. That’s when future novelists such as Jack London, Ernest Hemingway, Louis L’Amour, F. Scott Fitzgerald, and Raymond Chandler, to mention just a few, honed their writing skills by writing short stories for monthly publications. They all thought the stories would be a one-time shot and that would be the end of them.

Long after they and their novels became celebrated, their short stories were collected into anthologies and published. I’ve read every one of those collections. My point is, they all wanted to write novels, but while they were writing their first novel, or in between their first and second, they wrote and sold short stories as a way to keep the wolf from the door.

Not that I’m putting myself in their class—no friggin’ way! I’m just saying that I, too, started out writing short stories, but they were not for publication. I wrote them because I like to tell stories. My earliest short stories were just emails to friends, telling them of my youthful adventures. They were all true, but because I led a somewhat colorful life way back then, the emails read like fiction stories. When I ran out of stories about myself, I started in on writing fiction.

Just for the hell of it, I threw one of my early nonfiction stories up on a writing forum on the internet, and it was granted the honor of being included in a print anthology entitled The Best of 2011. I even got paid for it.

That prompted me to try my hand at writing a novel. I had read an article about the Great Sioux Uprising of 1862 and it outraged me. I had never heard of it before, so I started doing research and that research led to a 164,000 word novel (eventually edited down to 139,000 words). It took about two years to research and write. To entertain myself when not working on the novel, I would write short stories, but I never did anything with them. They just sat in a file folder.

So anyway, I set out to get an agent to help me publish my recently completed novel. I sent out about a million query letters. But in the publishing world, anything over 80,000 words for a first-time author is heresy. Or so I was told time and time again when I approached an agent for representation. After two years of research and writing—and a year of trying to secure the services of an agent—I got angry. To be told that my efforts were meaningless was somewhat demoralizing, to say the least. I mean, those rejections were coming from people who had never even read my book.

So you want an 80,000-word novel?” I said to no one in particular, unless you count my dog, because he was the only one around at the time. Consequently, I decided to show them City Slickers that I could write an 80,000-word novel!

I had just finished reading Mark Twain’s Huckleberry Finn for the third time, and I started thinking about what ever happened to those boys, Tom and Huck. They must have grown up, but then what? So I sat down at my computer, banged out REDEMPTION: The Further Adventures of Huck Finn and Tom Sawyer in two months, then sent out query letters to agents.

Less than a month later, the chairman of one of the biggest agencies in New York City emailed me that he loved the story. We signed a contract and it was off to the races, or so I thought. But then the real fun began: the serious editing. Seven months later, I gave birth to Huck and Tom as adults in the Old West. And just for the record, the final word count is 79,914. The book went on to reach #1 status in its category on Amazon—twice—and it won the Editors’ Choice Award for Best Western of 2013.

I wrote two more books before I finally got my original novel published. And in all that time, I continued to write short stories. You see, I don’t own a TV. So at night, after working on a novel all day, I’d bang out short stories, mostly for my own entertainment.

That’s why I write novels and that’s why I write short stories. But some of my short stories are not that short. Some are over 20,000 words. Many are in the area of 10,000 words. I do have a few that are no more than 100 words. But I would have to say that the majority of my stories fall into the 2,500 word category.

My current book came about because my editor hounded me for two years to put all my short stories into one collection. Actually, it was supposed to be a two-volume set because there was so much material. I fended her off for as long as possible. I didn’t want to do the work of editing all the stories—there were a lot of them. But she finally wore me down. Instead of two volumes, I put all the stories into a single book because I wanted to get the whole thing over with. I had other books to write.

Bedtime Stories is comprised of 218,000 words. I couldn’t fit another story in if I had to. Yeah, for an eBook I could have, but the print book already had 700 pages and was three inches thick, so I kept a few stories out. And it’s a good thing too. The ones I left out, I didn’t think were up to par. One cannot hit a home run every time one’s at bat.

In the month since I published Bedtime Stories, I’ve written at least ten new short stories. But please don’t tell my editor.

Andrew’s Bio:

Andrew Joyce left high school at seventeen to hitchhike throughout the US, Canada, and Mexico. He wouldn’t return from his journey until years later when he decided to become a writer. Joyce has written five books. His first novel, Redemption: The Further Adventures of Huck Finn and Tom Sawyer, was awarded the Editors’ Choice Award for Best Western of 2013. A subsequent novel, Yellow Hair, received the Book of the Year award from Just Reviews and Best Historical Fiction of 2016 from Colleen’s Book Reviews.

Joyce now lives aboard a boat in Fort Lauderdale, Florida, where he is busy working on his next book, tentatively entitled, Mahoney: An American Story.

Bedtime Stories for Grown-Ups: 

Bedtime Stories for Grown-Ups is a jumble of genres—seven hundred pages of fiction and nonfiction … some stories included against the author’s better judgment. If he had known that one day they’d be published, he might not have been as honest when describing his past. Here is a tome of true stories about the author’s criminal and misspent youth, historical accounts of the United States when She was young, and tales of imagination encompassing every conceivable variety—all presented as though the author is sitting next to you at a bar and you’re buying the drinks as long as he keeps coming up with captivating stories to hold your interest.

Comprised of 218,000 words, you’ll have plenty to read for the foreseeable future. This is a book to have on your night table, to sample a story each night before extinguishing the lights and drifting off to a restful sleep.

Mr. Joyce sincerely hopes that you will enjoy his stories because, as he has stated, “It took a lot of living to come up with the material for some of them.”

I will dig a well

pixabay images modified by author

The Carrot Ranch Literary Community ran a Flash Fiction Rodeo during October. The variety of prompts were loads of fun.  As the competition closes and the winners are announced, I’m delighted to share my contributions.

Challenge #1: Cast yourself back to six years of age, knowing what you do of life in the present; what would you want to be when you grow up and how would you go about achieving that goal? Tell us in 100 words, no more no less. It can be real or imaginary, serious or light-hearted.

I will dig a well

When I grow up, I want to dig a well as deep as the Baobab is tall. With my hands, I’ll fill buckets and pass them up a ladder to my sisters’ eager fingers. Water will rise, turning the dry dirt to mud, and I’ll hold my breath and labor in the earth’s wet coolness. And on the day my well draws pure and clear, the village will sing, but praise is not what will lift my song. That day, my mother won’t walk to the ditch to reap sickness with our water, and my sisters will dance to school.

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To read Hugh Robert’s winning submission click here: Carrot Ranch

World-building: Common Mistakes in Speculative Fiction – Guest Post by, Diana Peach…

Just in case you didn’t get your fill of World-building, I’m over at The Story Reading Ape’s blog with another installment. Swing on by if you want to learn about what can go wrong! Happy November!

Chris The Story Reading Ape's Blog

World-building is a balancing act between alien complexity and Earth’s familiarity. If authors make characters and settings too alien, they risk confusing readers and interrupting the reading experience. But the other side of the coin – applying Earth qualities, standards, and cultural norms to non-Earth planets and societies – isn’t any better.

We’re so used to Earth and the way we live and behave, our customs, values, and social rules that they become invisible to us. They become the “givens” of human life, and often, we attribute them to other non-Earth worlds and cultures. Our ways of life are rooted in thousands of years of history. Other planets have different historical trajectories that produce alternate ways of life that feel normal to the characters.

Here are seven things to look out for when world-building:

Your society doesn’t “function”

Did you ever read a book where none of the characters work…

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