Reflecting on Father’s Day

Dad and meMy relationship with my father hasn’t always proved a smooth ride. We’ve both lugged around our blind spots and buried pain. Yet as people tend to do, we’ve also grown up over the last fifty-some years, learned a thing or two about forgiveness, gratitude, and love.

When I reached the wise old age of twenty, my eyes opened to the idea that parents weren’t perfect. That new perspective loosened some of the emotional chains of expectation. I could view their opinions and reactions within the context of their generation and upbringings. This altered understanding gave me permission to travel my own journey without my inner critic’s disapproval hanging over my head.

dad and me 2In my thirties, I experienced another “duh” moment when I realized that parents continue to grow and learn throughout their lives. I am now their age, and the silly, narrow-mindedness of my previous level of understanding is downright embarrassing. Yet there you have it.

In my forties, I learned that there’s no going back to unsay old words and unhurt old wounds. What I most wanted was a trip back in time, a redo, a gift impossible for him to give me.  To wrestle our relationship from the muddy past required compassion, and forgiveness for mistakes neither of us can change, no matter how hard we may wish to.

As I worked in my garden this Father’s Day, I found myself reflecting on the many things I learned from my father that have enriched my life. Despite our struggles, there were hidden blossoms among the weeds that occasionally crowded our paths. I thought I’d share a few:

A love of the outdoors
Respect for diversity
Kindness toward all living things
A passion for reading
A lifelong fondness for power tools
To work with integrity
To grow vegetables
That money isn’t important
That I can do anything I put my mind to
That it’s possible to change
And never too late to say I love you.

Love you, dad.

#Read about Guest #Author D. Wallace Peach

Hi my friends! Some of you may have seen this post already, but I thought I’d share it at “home.” I had a blast pulling it together for The Story Reading Ape’s marvelous blog. Hope you enjoy.

Chris The Story Reading Ape's Blog

Thanks, Chris, for the opportunity to monkey around on your famous blog! I’ve seen your invites for several months and have said to myself “someday.” It appears someday has arrived.

D. Wallace PeachI’m one of those writers who rarely struggles with writer’s block. I can write 16 hours a day and never run dry of words …until someone asks me to write about myself. My mind goes blank, every articulate thought sucked through a black hole into another dimension. The urge to regurgitate my 3rd grade demographics starts sounding like a decent backup plan. What does a fantasy writer who lives entirely in her head have to say about her “real” life?

I didn’t start writing until I turned fifty… ancient compared to most writers I know. Am I envious of those enjoying an early start, regretful that it took me so long to find my calling? You betcha. If I could…

View original post 858 more words

Only Dialogue Allowed!

image from pixshark.com

image from pixshark.com

This one was hard! Yep, hard.

I continue to stick with my writing challenge – an attempt to complete the weekly writing lessons offered by Hubert O’Hearn’s Writer’s Pro Shop. This one is on writing dialog and here’s the link for more detail on the exercise: Writer’s Pro Shop, Exercise Three.

The gist of Lesson 3:

Write a 4-character scene using only dialogue. You may not identify the characters. Only the actual conversation can be written down. Each of your four characters must speak 4 to 6 lines or sides of dialogue. Your goal is that a reader knowing nothing of the scene should be able to determine what is happening as well as identify the individual speakers.

Here goes:

image from sojo.net

image from sojo.net

“Does my lipstick look okay? I’m running late. Oh, honey, I have a meeting after work, so you’ll have to handle soccer pick-up.”

“I made you breakfast. You said you wanted breakfast.”

“Oh, yeah, sorry. No time. I gotta go.”

“Who’s gonna pick me up at soccer?”

“I can’t. Really, buddie. I’ve got a crazy schedule today. Someone else will have to chauffeur today. Oh, and I need my dry-cleaning dropped off. Can you coordinate the cleaners with picking him up?”

“I’ll have to check my busy laundry and vacuuming schedule.”

“Don’t get testy with me. It isn’t my fault you were laid off. And this role-reversal thing was your idea.”

“Can you two argue about the dork’s soccer ride somewhere else? I’m on the phone.”

“Don’t call people dorks. And we’re not arguing, just discussing the fact that someone doesn’t care that I’m busting my butt at the office all day.”

“And someone else doesn’t seem to have time for her family anymore.”

“So who’s picking me up? The coach gets mad when he has to drive me.”

“Hello, everyone. I’m still on the phone.”

“Go talk somewhere else, princess dork. You’re not the boss of everyone.”

“I can’t, Your Dorkness. I’m watching T.V. while I talk.”

“Alright, I’m leaving. I’m late and I’m done with this conversation. We’ll talk tonight.”

“Fine. Go to your meeting. And you, I’ll pick you up at five on the dot since I’m doing everything else around here.”

“Never mind. I’ll just ask the coach, and he’ll just yell at me.”

“O. M. G. I’ll call you later. I’ll pick him up, okay. I can’t wait ’til the summer’s over.”

Writer as Witness

Frontyard2.dianapeach.jpg

As storytellers, we create settings and characters with enough authenticity to entrap readers in our imaginations. The goal is to elicit feelings somewhere in the broad spectrum of human experience, to personally invest the reader in the outcome of our tales.

Frontyard1.dianapeach.jpgA sense of reality and plausibility in our stories aids us in that task. External intricacy adds texture as it paints pictures in a reader’s mind. Our own emotional landscape is fodder for our characters’ souls.

I love the idea of writers as witnesses. We are observers of details, the ones with personal knowledge of hidden imagery and feelings, which we attest to through our words.

In her book The Artist’s Way, Julia Cameron encourages artists to become witnesses, to take time out of each day to observe our outer and inner worlds with curiosity, as a way of enriching our store of experience and ultimately our art. She suggests occasional artist’s vacations, to gather experiences foreign to our daily routines.

Frontyard3.dianapeach.jpgI frequently wander about in zombie-like unconsciousness. My familiarity with my routine and surroundings allows my brain to dally elsewhere, usually embroiled in developing scenes, prodding characters, and plugging up plot holes.

Unless I make a mindful choice to engage, I don’t.

I wrote a post back in October called Emotional Writing about a necessary willingness to explore painful feelings. This is tough work: witnessing our own agony and blindness, picking through our hearts with an observer’s impartial eye. And how far are we willing to delve into someone else’s experience, to embrace it as our own?

Frontyard5.dianapeach.jpgToday I’m another kind of witness. If I sit still and pay attention, I see cloudy light reflected on rain-slick leaves, the diamond patterns of stained glass at the end of a dark hallway. Gossamer cobwebs thread the air around the old chandelier. The dog snores on the couch and rain drips from sagging gutters to patter on the metal roof. It’s chilly this morning, and Pinky the cat has commandeered my sweater. If my nose weren’t stuffy, I might smell coffee brewing.

Any one of these details may end up in my writing today.

I share a few photos of moss growing in my yard. I would have never witnesses the beauty if I hadn’t taken the time to look.

The Bone Wall by D Wallace Peach – Interview with Author @Dwallacepeach

When talented author Jo Robinson told me she enjoyed my latest book, I did a little happy dance in my kitchen. She sent me some questions for an interview, and I glowed for a week. If you’re interested in the “character” behind the characters, here’s the interview. Thank you, Jo!

Feed My Reads South Africa

I finished my latest read much faster than I usually finish a book, considering my tendency to be the slowest reader on the planet, only because I couldn’t put it down. I had to find out more about the author who wrote the book that now sits way up there in the lofty favourite TWO dystopian fantasy books I’ve ever read. Not only does it speak of humanity, what we’ve become, and where we might go, it’s a fabulously addictive tale, told in that magical way that only the literary masters have, of sucking you right in to their worlds. Many thanks to author D Wallace Peach, for graciously allowing us access into her life and for sharing some of her fascinating thoughts with us here today. I’ll share my review of The Bone Wall first, and my strongest suggestion for you all to head right over to Amazon and…

View original post 1,631 more words

Trouble Naming your Character? Try a Name Generator.

image from beevolve.com

image from beevolve.com

Now and then, I get stuck for a name. I need a ship name (The Devil’s Trident), a tavern name (The Flagon and Flask), a villain’s name (Raven Stonerose), the name of a magical forest (Bitter Fleas Forest), or strange beast (Conewitch Snail).

Name generators are useful in getting the ideas flowing, and occasionally I find the right fit without a tweak. The above names were all straight from the Seventh Sanctum name generator, one I refer to when my brain is numb, which happens rather frequently. It’s a gold mine of thought-starters for fantasy writers.

Oh, you don’t write fantasy and haven’t any use for an elf name such as Ibenhar Lonedragon? You don’t need a hero named Tempest Honorhawk or a villain named Solitaire Ironcomet?

Never fear. This name generator also creates your more standard names: Claudine Briana McGuire, Spencer Vaughan, Haley Lambert, Warner Javier Gallagher, and Herminia Leon to rattle off a few.

Be sure to look through the broad variety of categories under the menu item “Generator Types” as there are more options than are listed on the opening page.

NOW, THE BONUS!!

from farm-sign.com

from farm-sign.com

Okay, this is pure silliness.

I write fantasy and occasionally my characters get royally upset! Sometimes I don’t want to use Earthly curses, particularly if the story doesn’t take place on Earth. I also prefer to avoid foul language when it isn’t necessary for the story or characters.

I ran across the Foul-o-Matic curse word generator on a random search for name generators. It’s a swear-word generator that makes me laugh because most of the word combinations are just plain ridiculous (failed douchewaffle piper and spanking nugget lover). I revert to my ten-year-old self that used to giggle at farts. That said, I’ve actually used it a bit, primarily by toning down some of the outrageous combinations or combining words to make my own.

Does anyone out there use word generators? I’d love to add them to my list.